DEAD LETTER OFFICE: PALE BLUE EYES

'This is one of my favorite Lou Reed songs. Michael changed the

lyrics considerably and I added an exceedingly sloppy solo. Recorded live

to two track and is an outtake from Reckoning.'

-Peter Buck

PALE BLUE EYES

Sometimes I feel so happy
Sometimes I feel so sad
Sometimes I feel just about everything
Lately I'm just feeling bad
Lately I'm just feeling bad

Linger on your pale blue eyes
Linger on your pale blue eyes

I thought of you as my mountain top
I thought of you as my peak
I thought of you as just about everything
I had but couldn't keep
I had but couldn't keep

Linger on your pale blue eyes
Linger on your pale blue eyes

Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes

(That was real pretty)


PALE BLUE EYES

Intro and Picking Pattern

e|-1--1-----|

B|-1---1-1--|

G|-2-2--2---|

D|-3------3-|

A|----------|

E|----------|

Verse

e|-1---6---1---1---1---3---6---1---0---1-----------------|

B|-1---6---1---1---3---5---6---3---5---1---1-1-1-3h-1-1--|

G|-2---7---2---2---2---5---7---3---5---2-------------2---|

D|-3---8---3---3---0---5---8---3---5---3-----------------|

A|-------------------------------------------------------|

E|-------------------------------------------------------|

Chorus

e|-0--------1-1-|

B|-1--------3-1-|

G|-0-----0--3-2-|

D|-2-0-2h-2-3-3-|

A|-3------------|

E|-0------------|

Lead

e|-----8------------8---------6----------------------8----|

B|-3>10-10-11-10-8-8-10-10---6-6-6-8h-6-6-8-8-10-8-10-6---|

G|----------------10------3>7----------7------------------|

D|--------------------------------------------------------|

A|--------------------------------------------------------|

E|--------------------------------------------------------|

e|-----8------------1-----1----6--1------1----|

B|-8-10-10-8-10<-1-3-3---3----6----1----1-1---|

G|--------------2-----2>3--3>7--7---2-3h------|

D|-------------------------------3------------|

A|--------------------------------------------|

E|--------------------------------------------|

e|------------1---1--1------------|

B|-------------1-1-1--1-1-3h-1-1--|

G|---0---0---2--3---2--2------2---|

D|--3-3-2-2-3---------------------|

A|-1---3--------------------------|

E|--------------------------------|

End

e|-1---0---1--------1-|

B|-1---1---1--------1-|

G|-2---0---2-2-3-2--2-|

D|-3---2---3------3-3-|

A|-3---3---3--------3-|

E|-1---0---1--------1-|

DEAD LETTER OFFICE: AGES OF YOU

'This is kind of a companion piece to Burning Down.  When we got

tired of that song, we kept the two pieces that we like and rewrote

the rest to come up with Ages Of You. We got tired of that one also.

Recorded for Reckoning. Also remixed by Steve (Fjelstad).'

-Peter Buck



This is one of those songs in the old R.E.M. style which was very repetitive, which was probably why they got sick of it.  Still a very cool song and at one point one of my favorites.  I have no idea what the song is about, but with the imagery and (again) talk of trains, it seems like the description of a film.  The second to last lyric in the middle bridge is perhaps the hardest to make out which could be because he didn't have lyrics and isn't saying anything at all.



AGES OF YOU

Postcard stowaway within
Pristine indigo without
Matted ottoman is such
Sofa seated one too much

All along the range
(Ride-a-di-di-ay)
All along the range
(Ride-a-di-di-ay)
(Ride-a-di-di-ay)
(Ride-a-di-di-ay)
(Ride-a-di-di-ay)
(Ride-a-di-di)

Ages of you
Ages of you
Ages of you

Postcard stowaway within
Pristine indigo without
Matted ottoman is such
Sofa seated one too much

All along the range
(Ride-a-di-di-ay)
All along the range
(Ride-a-di-di-ay)
(Ride-a-di-di-ay)
(Ride-a-di-di-ay)
(Ride-a-di-di-ay)
(Ride-a-di-di)

Ages of you
Ages of you
Ages of you

Train bores overhang and
Bridge conductor looks up
Thinks out and down
Hand stuck to the left
To the right, use that phone
The horses just aren't gossip anymore

First caught stowaway within
Pristine indigo without
Matted ottoman is such
Sofa seated one too much

All along the range
(Ride-a-di-di-ay)
All along the range
(Ride-a-di-di-ay)
(Ride-a-di-di-ay)
(Ride-a-di-di-ay)
(Ride-a-di-di-ay)
(Ride-a-di-di)

Ages of you
Ages of you
Ages of you
(Ride-a-di-di)
Ages of you
Ages of you
Ages of you


Fun song to play.  During the second part of the bridge to the chorus, bend the b string a little to sound a little out of tune. 

AGES OF YOU

Intro/ Fill

e|--0-0-0-0----|

B|-2-0---0-----|

G|-----2-------|

D|-------------|

A|-------------|

E|-------------|

Verse

e|-0---0---------|

B|-2---0---------|

G|-2---1---------|

D|-2---2---Fill--|

A|-0---2---------|

E|-0---0---------|

Bridge to Chorus

e|-5---7------2---0--------|

B|-7---9------3---0--------|

G|-7---9------2---1--------|

D|-7---9------0---2---Fill-|

A|-5---7-x2-------2-x2-----|

E|-5---7----------0--------|

Chorus

e|-2---0-0---0-0----0-----|

B|-2---0-2---3-2----0-----|

G|-2---1-2---2-2----1-----|

D|-4---2-2---2-2----2-----|

A|-4---2-0---0-0-x3-2-Fill|

E|-2---0-0---0-0----0-----|

Middle Bridge

e|-0---2----0-----|

B|-0---2----0-----|

G|-1---2----1-----|

D|-2---4----2-----|

A|-2---4-x3-2-Fill|

E|-0---2----0-----|

Last Chord

e|-2---|

B|-2---|

G|-2---|

D|-----|

A|-----|

E|-----|

DEAD LETTER OFFICE: WINDOUT

'This is one of our earliest songs, written in the summer of 1980.

We recorded it for our second album. In retrospect, I think that it would

have fit on Reckoning very well, but at the time we decided not to include

it.  From a soundtrack that shall remain nameless'

-Peter Buck

Well, the nameless soundtrack is Bachelor Party with Tom Hanks.  I can't really agree that this would have fit well on Reckoning, but it's a great song.  The lyrics to this one are pretty much indiscernible.   In earlier recordings he's saying: "He watches gonna knock, are you really gonna rock."  Is this a song about synchronizing watches?  Personified watches?  Does it matter?  No.  This became a great up-tempo filler song in subsequent years.

WINDOUT
Windout, if you're out of the wind
Windout, if you're ready to spin
Windout, if you're young and rent

Yeah, tick tock, it's tight o'clock
The watches gonna knock, can you really go?

So find out, if you're ready to spin
Find out, if you're out of the wind
Windout, if you're out of sync

Spin tick tock, it's tight o'clock
The watches gonna knock, can you really go?

Windin’ up

To no doubt, that you're feeling fine
No doubt, that you're out of mind
No doubt, that you're young and rent

Windout, if you're ready to spin
Find out, if you're young and rent
Windout, if you're out on a bend
If you're young and bent

Yeah, tick tock tight o’clock, my man
The watches gonna knock, can you really go?

Windout (windout)
Find out (find out)
No doubt (no doubt)
Windout (windout)
Find out (find out)
No doubt (no doubt)

Windout, windout, windout


This song eventually turned into 9-9, but almost earned a place in its own right.  Well, it ended up on DLO, so I guess it did earn a place.  Just good old fashioned Bucking around on this one ... have fun bending around the D chord formation.

WINDOUT

Intro

e|-----------7---0---7---0-|

B|----(10)---9---7---9---7-|

G|-----------9---7---9---7-|

D|-(7)-------9---0---9---0-|

A|-----------7---0---7---0-|

E|-----------7---0---7---0-|

Verse

e|-7----7-0---|

B|-9---10-7---|

G|-9----9-7---|

D|-9----9-0---|

A|-7----7-0---|

E|-7----7-0---|

Chorus

e|-0---3---|

B|-2---3---|

G|-2---0---|

D|-2---0---|

A|-0---2---|

E|-0---3---|

Middle Bridge

e|-------------|

B|--7-8-7------|

G|-9------x8---|

D|-------------|

A|-------------|

E|-------------|

End on E.

DEAD LETTER OFFICE: TOYS IN THE ATTIC

In this rather loose interpretation of the Aerosmith song, the band kind of flexes it's rock muscles and show that through their generally sloppy approach, cool things can be achieved.  I particularly appreciate Mills' bass picking up the blues style guitar riffs so that Peter can just rock out.  It really drives the tune in a way that Aerosmith couldn't.




TOYS IN THE ATTIC
Lights voices scream
Nothing seen
Real's a dream

Leaving the things that you learn behind (your mind)
Leaving the things that you love your mind
All of the things that you learned to fear
Nothing except for the years

Voices scream
Nothing seen
Real's a dream

Toys
Toys
Toys in the attic
Toys
Toys
Toys in the attic
Toys
Toys
Toys in the attic
Toys
Toys
Toys in the attic

Lights voices scream
Nothing seen
Real's a dream

Leaving the things that you love behind
Leaving the things that you learn in your mind
All of the things that you learned were real
Nothing except for the years

Voices scream
Nothing seen
Real's a dream

Toys
Toys
Toys in the attic
Toys
Toys
Toys in the attic
Toys
Toys
Toys in the attic
Toys
Toys
Toys in the attic
Light

I'm reasonably sure that Peter plays his leads blindfolded and on Jolt cola.  A lot of mashing about in the correct areas, that produces a choppy rock effect. 

TOYS IN THE ATTIC

Chorus/Intro

e|-22---22---22---00---33---|

B|-33---33---33---11---33---|

G|-22---22---22---00---00---|

D|-00---00---00---22---00---|

A|----------------33---22---|

E|----------------00---33---|

Verse Part 1

e|-3---3-2-0---0-3-1---0-3-0--------------------------|

B|-3---3-3-1---1-3-1---1-3-2--------------------------|

G|-0---0-2-0---0-0-2---0-0-2--------------------------|

D|-0---0-0-2---2-0-3---2-0-2-2-0-2-0-2-0-2-0-2-0-2-0--|

A|-2---2---3---3-2-1---3-2-0------------2-----------2-|

E|-3---3---0---0-3-1---0-3-0--------------------------|

Verse Part 2 (x4)

4^th Time Go to G in Verse Part 1

e|-2-------------------|

B|-3---8-7-5-----------|

G|-2--------7-5-----5--|

D|-0-----------7-9-7---|

A|---------------------|

E|---------------------|

Slide Up To Chorus

e|----------------------|

B|----------------------|

G|----------------------|

D|-2-0-2-0-2-0----------|

A|------------000222333-|

E|----------------------|

Lead

(Bb-Eb)

e|------------------------------------6-6-9-6-4-6h-4-|

B|-66-4-66-4-66-4-66-4--------------8----------------|

G|--------------------88-6-88-6-88-6-----------------|

D|---------------------------------------------------|

A|---------------------------------------------------|

E|---------------------------------------------------|

e|-6b-4-6b-4-6b-4-6-4---------------------|

B|-------------------6-4-6-4--------------|

G|--------------------------6-4-----------|

D|-----------------------------3-4-5-6-7--|

A|-----------------------------1-2-3-4-5--|

E|----------------------------------------|

COLLAPSE INTO NOW: BLUE

For my money this is a more appropriate song for Patti Smith to be a part of than 'E-Bow.'  Although they are similar in theme as they are clearly poetry in the form of Michael Stipe's lyrics, 'Blue' more so than 'E-Bow.'  And how chilling and haunting is Patti's voice at the end.  Just wonderful.  I like the 'Discoverer' ending as well, but personally I would have brought the music in with Patti's last word instead of a slow build to the song.  This is the first time the band has tried to carry any kind of theme through an album and while it doesn't make the album a 'conceptual' album, it does bring it full circle. 



BLUE

I hear the circus left their stakes
The broken ropes useless, mud
The ties that bind, ha ha
I can be that poet, street poet
Shit poet, kind poet too
Subway homeless, 4am
Halloween
I’d had enough to drink to make my own party
All my fellow writers in half costume
Half asleep, half silly gone to seed
I don’t mark my time with dates
Holidays, fate, wisdom, luck, karma
Or whatever’s convenient
I am made by my times
I am a creation of now
Shaken with the cracks and crevices
I’m not giving up easy
I will not fold
I don’t have much, but what I have is gold

(Oh, I saw your face)
I sing in platinum, I dress in brass
(Blue drifting smoke)
I eat at Zinc, let it pass, am part of your toast, I like that
(In the drifting smoke)
I understand courage, I still roll with the shout of the cab drivers attitude
Today I try to see outside myself
I understand the eyes, excuse all eyes
Sorry, I am sorry, ha ha


(Boy of Berlin)
I like you, love you
(I like your face)
Every coast of you, I’ve seen your eddies
And tides and hurricanes and cyclones
Low ebb tide and high, full moon
How close and distant
I reach you, look the sky
The sea, the ocean, the sun, the moon
Blue, blue, blue, blue, blue, blue, blue, blue, blue, blue, blue, blue
(Naked and blue)
Naked and blue
Breathing with you
Touch, change, shift, allow air
(Breathing with you)
Window open drift, drift away into now
I want Whitman proud, Patti Lee proud
My brothers proud, my sisters proud
I want me, I want it all
I want sensational, irresistible
This is my time and I am thrilled to be alive
Living, blessed, I understand
Twentieth century collapse into now

Cinderella boy
You lost your shoe
Cinderella boy
(Blue, blue, blue, blue … )
Your coach awaits
A sunlit shadow
All over the place
As you sit, naked and blue
Into view

Discoverer
Discoverer
Discoverer
Discoverer
Discoverer
Discoverer
Discoverer


Basically, this song is three chords and 'Discoverer'.  It is very similar to 'Country Feedback' in tone and chords, but not chord structure.  It's simply a format for the lyrical poetry of Stipe and Smith.  The lead that follows is a loose interpretation as there are two guitars (at least) and they overlap.  Suffice it to say that if you play around the chord formations, you'll be fine.

BLUE

Chord Progression

e|-0---2---0---------------|

B|-0---3---0---------------|

G|-0---2---0---------------|

D|-2---0---2---------------|

A|-2-------3---------------|

E|-0-------0---------------|

Lead

e|---------------------0-----2-3>7-|

B|----------------7-7-7-0-3>5------|

G|------0-----9-7------------------|

D|-2-2-4-4-4-2---9---4-------------|

A|---------------------------------|

E|---------------------------------|

Michael Vocal Starts
e|--12-10--12---10-12-10--------|

B|-5-----13---10--------12----5-|

G|-------------------------2>4--|

D|------------------------------|

A|------------------------------|

E|------------------------------|

Patti Vocal Starts
e|-----0-----0-----0-12-------------|

B|-5-3-5-5-3-5-5-0-5--12—3-3-3>5-10-|

G|-----4-----4-----0--------0---4---|

D|----------------------------------|

A|-------------------------------etc|

E|----------------------------------|

End
e|------|

B|-12b--|

G|------|

D|------|

A|------|

E|------|

Discoverer Finale

e|-2---2---0---2-------|

B|-0---0---0---0-------|

G|-4---4---2---4-------|

D|-4---4---2---4-------|

A|---------------------|

E|---------------------|

Guitar 2

e|-4-5-7-9-10h-9-10h-9-9-10h-9-5-4-5h-4-2---|

B|------------------------------------------|

G|------------------------------------------|

D|------------------------------------------|

A|------------------------------------------|

E|------------------------------------------|

COLLAPSE INTO NOW: ME, MARLON BRANDO, MARLON BRANDO AND I

As a side note, on Ultimate Guitar.com I had a tab reach the 1,000 view mark.  The surprising part is that the song is not Radio Free Europe or Rockville, the other top vote getters.  The winner is Uberlin.  Which has been posted for 11 days.  As opposed to the months RFE and Rock have been posted.  That's astounding.
  Turning back to this song,  it has grown on me.  I think when I first heard the title, I cringed or withdrew in some way.  But the song is very bittersweet, it feels like a song that could play right after Monty Got A Raw Deal.  In flying through these songs I realize that I am not getting every doodle and lead, but it has given me a different appreciation for the songs and the album.  It's also shown me how much the band has grown musically, particularly in the studio.  The rawness is replaced with endless layering of tracks that blend into such a great sound.  This is the real result of the tinkering of Up, Reveal, and Around The Sun.  R.E.M. have grown into a three piece (no slight on Scott or Bill R there).  It took some time, but it was worth it.  Is this it for Warner Bros?  Are they going to go indie?  I anxiously await the next step ... last stop here on CIN though will be 'Blue.'

ME, MARLON BRANDO, MARLON BRANDO AND I

We live and dream about the future

Please ask Neil I need to pow wow now

Sift through the annals of our flavored times

Our heroes and all their fatal flaws

Me, Marlon Brando, Marlon Brando and I sing

Lay me down down down down

Lay me down down down down down

Help me off to sleep

Take me deep again

We live and dream about our heroes

I listened closely and I said

‘I’m not sure where to place myself here friend

I might pawn the gold rings instead.’

The winners write the rule books

The histories and lullabies

Lay me down down down down

Lay me down down down down down

Help me off to sleep

(Down down down)

Take me deep again

(Down down down)

I heard what you said

(Lay me down down down)

I picture brass rings in your head

(Lay me down down down)

While gold and bronze are bon bons

(Down down down)

Our brass is mixed with lead

Cool sound with the mandolin here.  Gives the song a great mood.  He doesn't seem to slide up to the faux Am every time in the verse, but it's a cool sound.  It's great to play the first chord here and know exactly which song you are going into. Also, love the chord form in the chorus.

ME, MARLON BRANDO, MARLON BRANDO AND I

Intro and End

e|-0--|

B|-1--|

G|-2--|

D|-3--|

A|-0--|

E|----|

Mandolin

e|-0---|

A|-0---|

D|-2---|

G|-0---|

Verse

e|-1---1-3-3>5-5---|

B|-3---3-3-3>5-5---|

G|-2---2-2-2---5---|

D|-0---0-0-0---0---|

A|-------------0---|

E|-------------5---|

Mandolin

e|-1-1--1--1—3>5-0-|

A|-0--0--0--0----0-|

D|-0---0--0--0---2-|

G|-2-------------5-|

Chorus
e|-0-----0------3---0------|
B|-1-----1------3---1------|
G|-0---0-2------0---2------|
D|-3---5-2------0---3------|
A|-3-----0------2---0------|
E|-0-----0--x2--3---0---x4-|

Mandolin

e|-0---0-0---0------3-3--3--3---0-0--0--3--0-----|

A|-0---0-0---0------2--2--2--2--0--0--0--0--0----|

D|-5---3-2---0------0---0--0--0-2---2--2--2--2---|

G|-0---0-0---0-x2---0-----------0-------------x4-|

COLLAPSE INTO NOW: THAT SOMEONE IS YOU

Currently my favorite song on the album.  It pretty much reeks of Mike Mills influence.  I can't get the song out of my head and the best part is that it's so short that it's only in my head for a moment.  Plus it's so passive aggresive that it can be paired with the character from Losing My Religion fairly easily.  Perhaps that person in the corner finally had the other person make the move.
  Also if you're interested, Young Marble Giants were a great subtle band from the late '70's and early 80's, one of the Buck and Stipe groups that influenced them ... and of course the guitar player played a Rickenbacker.  Very cool group.  Also, the New Order cover that might be referenced here is Grant Lee Phillips cover of 'Age of Consent,' itself a restrained song, but Phillips put the troubadour mojo to it on his album 'nineteeneighties' an album where he also covered 'So. Central Rain.'




THAT SOMEONE IS YOU

With the restraint of New Order covers
Young Marble Giants
I sat, quietly, waiting
For someone else to make the first move
Someone else to make the first move

That someone is you
That someone is you
That someone has pulled me up and out of cartoon quicksand
Pulled me up and out of me

And with the fury lock of Sharon Stone Casino
Scarface Al Pacino, ’74 Torino
I need someone else to make the first move
Someone else to make the first move

That someone is you
That someone is you
That someone has pulled me up and out of cartoon quicksand
Pulled me up and out of me
You pull me up and out of cartoon quicksand
Pull me up and out of me


Peter tends to shy away from barred chords, but it sounds the same here.  This might be the easiest and most fun song to play from the album.

THAT SOMEONE IS YOU

Intro/Chorus to Verse Bridge: G

Verse

e|-0---0---0---|

B|-0---0---5---|

G|-6---7---6---|

D|-7---7---6---|

A|-7---5---4---|

E|-5---0---0---|

Chorus 

e|-0---0---0---0---0---0---0---0---0---0---0---0-|

B|-0---0---0---0---3---0---3---2---3---2---3---2-|

G|-1---3---2---2---4---1---2---2---2---2---2---2-|

D|-2---4---3---3---4---2---0---2---0---2---0---2-|

A|-2---4---3---3---0---2-------0-------0-------0-|

E|-0---2---1---1---0---0-------0-------0-------0-|

End 

e|-0---0---0---0---0---0---0---0---0---|

B|-0---3---2---3---2---3---2---0---0---|

G|-4---2---2---2---2---2---2---4---3---|

D|-5---0---2---0---2---0---2---5---4---|

A|-5-------0-------0-------0---5---4---|

E|-3-------0-------0-------0---3---2---|

COLLAPSE INTO NOW: ALLIGATOR_AVIATOR_AUTOPILOT_ANTIMATTER

Easily one of my favorite songs on the new album.  Fast paced, driven, weird lyrics, and Peaches?!  She sounds great and compliments Michael very well.  Part of this album's testosterone trilogy.  Way to man up, boys.



ALLIGATOR_AVIATOR_AUTOPILOT_ANTIMATTER

I feel like an alligator
Climbing up the escalator
Climbing up the escalator
I feel strong

I feel like an aviator pilot
Bet you wouldn't buy it
I'm feeling violent
Betcha beady eye it
Turn up and fly it
Beat

Hey, hey, alligator, you've got a lot to learn
I have got, have got a lot to learn

I feel like an autopilot
I'm heroic strong and silent
I feel like a rage coming under my hood
I feel good and calm like a robot would
I feel like an autopilot
I feel like an autopilot
I am not a hater, hater, hater, hater, hater

Hey, hey, alligator, you've got a lot to learn
I have got, have got a lot to learn

I feel like a contradiction
I'm a walking science fiction
I don't know which way to turn
I've got a lot to burn
I've got a lot a lot to burn

If I didn't like the way you stared at me
If I didn't like the way you stared at me
I could knock you sideways, I could knock you blind
I could show your found to the lost and find
I am not an agitator
I feel like an agitator
Climbing up the escalator

Hey, hey, alligator, you've got a lot to learn
I have got, have got a lot to learn

You've got so much to learn
You got a lot to learn

The lead on this is sick.  Wait, are you sure this is an R.E.M. song?  Was that P Buck?  I'm not sure, but it rips ...

ALLIGATOR_AVIATOR_AUTOPILOT_ANTIMATTER

Intro/ Riff

e|------------------|

B|------------------|

G|--2p0-0---0---0---|

D|-----2-2-0---0-0--|

A|-0------2--0------|

E|--------3--2------|

Verse

e|-5---3-5---|

B|-5---3-7---|

G|-6---4-7---|

D|-7---5-7---|

A|-7---5-5---|

E|-5---3-5---|

Bridge to Chorus

Guitar 1

e|-5---5--|

B|-5---7--|

G|-6---7--|

D|-7---7--|

A|-7---5--|

E|-5---5--|

Guitar 2

e|-0---0--|

B|-5---7--|

G|-6---7--|

D|--------|

A|--------|

E|--------|

Chorus

e|-5---7---10---12---5---3---5---7---10---12---5-|

B|-5---7---10---12---5---3---5---7---10---12---5-|

G|-6---8---11---13---6---4---6---8---11---13---6-|

D|-7---9---12---14---7---5---7---9---12---14---7-|

A|-7---9---12---14---7---5---7---9---12---14---7-|

E|-5---7---10---12---5---3---5---7---10---12---5-|

Lead
(E-D/A x3; G)

e|----------------------------------------|

B|----------------------------------------|

G|-------------------------------5-7>9999-|

D|-7b9-7b9-7b9-7-5-7-5---5-57-5-7---------|

A|--------------------57h-7---------------|

E|----------------------------------------|

e|--------------------------8-7-8>10>12-15-12-17-|

B|--8-10-13-12-10-10b-8-11-9---------------------|

G|-9-9-----------------10------------------------|

D|-----------------------------------------------|

A|-----------------------------------------------|

E|-----------------------------------------------|

e|-15-12-10-12b-10-8-10-12h-10-8-10p-7-8p-7-5-3-5---0--|

B|--------------------------------------------------5--|

G|-----------------------------------------------------|

D|-----------------------------------------------------|

A|-----------------------------------------------------|

E|-----------------------------------------------------|

End on A.