Friday, January 13, 2017

NEW ADVENTURES IN HI-FI: BE MINE

Michael has said "I have written songs that are I think bordering on creepy or questionable, Be Mine topping the list." However, I think this is one of the strongest songs on the album and one of my favorites. It's also the first one I learned to play. You might recognize the guitar style as Mike Mills from his go on LET ME IN. In a documentary where Thom Yorke chose this song to sing with the band Mike admits the song is one he wrote and in a short clip on YouTube it is him on the guitar. There's a lovely version on youtube that is just Mike with a different, but similar Michael vocal that is very lovely. But it's the kicking in of the drums and orchestrations that move this song to the next level IMO. The song is beautiful if a little possessive.



BE MINE

"a speed zone up here too"

I never thought of this as funny
It speaks another world to me
I want to be your easter bunny
I want to be your christmas tree

I'll strip the world that you must live in
Of all its godforsaken greed
I'll ply the tar out of your feathers
I'll pluck the thorns out of your feet
You and me
You and me
You and me

And if I choose your sanctuary
I want to wash you with my hair
I want to drink of sacred fountains
And find the riches hidden there

I'll eat the lotus and peyote
I want to hear the caged bird sing
I want the secrets of the temple
I want the finger with the ring
You and me
You and me
You and me

And if you make me your religion
I'll give you all the room you need
I'll be the drawing of your breath
I'll be the cup if you should bleed

I'll be the sky above the Ganges
I'll be the vast and stormy sea
I'll be the lights that guide you inward
I'll be the visions you will see

The visions you will see

You will see
You will see
You and me
You and me
You and me
You and me
You and me
You and me



    As with most of the other tab you can find online for R.E.M. people just plain have it wrong, particularly the chorus. Mike is just as fond of open chords as Peter, but in a slightly more traditional power chord type of way. The highlights are the sliding E to B, the G#m set up for the F#m to F# open, and of course the switching from the D string riff to the A string riff to open the verses. A very well thought out and easy song to play once you get it.

BE MINE

Verse
D|-9-11h-11-11-9-11-13-14-14-13-0---|
A|-0--0---0--0-0--0--0--0--0--0-0-9-11h-11-11-9-11-11-11-11--|
E|--------------------------------0--0---0--0-0--0--0--0--0--|

Verse Interlude
(Start with the A string part of the verse above after this interlude)
e|-5---2-|
B|-7---4-|
G|-7---4-|
D|-7---4-|
A|-5---2-|
E|-5---2-|

Chorus
e|-0---0---0---0---0---0---0---2>4---2-0---|
B|-0---0---0---0---0---0---0---2>4---2-0---|
G|-1---8---4---6---2---3---4---2>4---2-0---|
D|-2---9---6---7---4---4---4---------------|
A|-2---9---6---7---4---4---0---------------|
E|-0---0---0---0---0---0---0---------------|

End on E







Friday, January 6, 2017

NEW ADVENTURES IN HI-FI: BITTERSWEET ME

Michael has noted that this song is about an 'unformed desire' or a teenage desire, something he comes back to multiple times in the band's later albums. The narrator of the song seems lost in their own thoughts and deeply upset about the wasted time. Some more great imagery from Michael, candy floss (cotton candy), pattern shirts, the mental image of chewing one's leg off is very distancing--there's something very foreign about this desire, almost ugly. The song was released as the second single from NAIHF, but didn't chart very high and the strange video that went along with it tried to do too much. Maybe just be the short film or the band shots, but both? Michael was having some lip synch fun with a microphone, but the band collectively look like making videos is their least favorite pastime. It's a good song, maybe a little crunchy in the chorus, but catchy and a fun and recognizable Buck style patented riff that reminds the listener of his singular brilliance.



BITTERSWEET ME

I move across
Innocence lost
All flesh and pulsar
I move across the earth in my new pattern shirt
I pass satellite

‘You're so bitter’
Your complaint
I can't give you anything
I don't know who you're livin’ for
I don't know who you are anymore

I'd sooner chew my leg off
Than get trapped in this
How easy you think of all of this as bittersweet
Me

I couldn't taste it
I'm tired and naked
I don't know what I'm hungry for
I don't know what I want anymore

I move across
Candy floss
I move like a tank
I move across the room with a heart full of glue
I’m stronger than you think

Oh my peer
Your veneer is wearing thin and cracking
The surface informs the underneath
The underneath is lacking

I'd sooner chew my leg off
Than get trapped in this
How easy you think of all of this as bittersweet
Me

I couldn't taste it
I'm tired and naked
I don't know what I'm hungry for
I don't know what I want anymore

You move across
Innocence lost
All static and desire
You're blue in the face from navel gaze
You set yourself on fire

You strip down and lay yourself out
I know you can't fake it
Are you tired and naked?
Are you tired and naked?
Yeah

I'd sooner chew my leg off
Than get trapped in this
How easy you think of all of this as bittersweet
Me

I couldn't taste it
I'm tired and naked
I don't know what I'm hungry for
I don't know what I want anymore
I couldn't taste it
I'm tired and naked
I don't know what I'm hungry for
I don't know what I want anymore
I couldn't taste it
I'm tired and naked
I don't know what I'm hungry for
I don't know what I want anymore


  The key to this song is the held Dm in the bridge to the chorus. Other than that It's really straightforward ... I've added the bass line on guitar for the middle eight ... it also sounds like there's an e-bow there for atmosphere. Maybe NAIHF should be called E-Bow the Album. I also added an unbarred F to the end of the chorus which sounds cool, but only works because of the elongated open chord press Peter does there.

BITTERSWEET ME


Intro/ Verse
e|---------0---|
B|---------0---|
G|------0--0---|
D|-----4-4-2---|
A|-0-5h----3---|
E|---------0---|

Bridge
e|-1---1---1---0---1---1---1---3---|
B|-1---3---3---1---1---3---3---3---|
G|-2---2---2---0---2---2---2---0---|
D|-3---0---0---2---3---0---0---0---|
A|-3-----------3---3-----------2---|
E|-1-----------0---1-----------3---|

Chorus
e|-0---0---3-----------------1---0----|
B|-1---1---3-----------------1---0----|
G|-2---0---0------0----------2---2----|
D|-2---2---0--0-2h-2-0-------3---3----|
A|-0---3---2-----------------3---3----|
E|-0---0---3----------(x3)---1---0----|

Middle Bridge (Bass Line)
A|-5-5-7-10-12-5-7--|
E|----7-------------|

End with Intro Riff on the open G string.